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On the joys, vicissitudes and evolution of urban life: The Ledger


The city is a concept that presents constant challenges to policy makers, architects, engineers, artists—and, of course, residents.

In recent decades, human civilisation has experienced a profound tipping point which, after millennia of the opposite, switched the balance of our populations from the countryside to the cities. The urban has come to define modernity to the degree that those of us who live in metropolises experience them as indispensable and singular symbols of what it means to live now. But the city’s tremendous achievements—its consolidations of technology, culture and efficiency—can extract costs of which we must remain ever mindful. From the wear and tear of particulate matter on our bodies to rush-hour transport congestion to such unforeseen effects as the precipitous decline and alteration of birdsong, the city is an entity, an organism, a concept that presents relentless challenges to the policymakers, architects, engineers, artists and—above all—the sundry residents who confront it. This month, we celebrate the consciousness-raising task of examining ways to exist within and appreciate the city, and to rise above its flaws and inequities to explore its joys and the possibilities of its history and future.

An intelligent, visceral slice of urban vérité

Luke Lorentzen’s 2019 documentary Midnight Family follows the Ochoas, who run a single-vehicle family ambulance service in Mexico City, which proves to be an exhausting, worthy enterprise.

The case for thrumming crowds

The urban theorist P. D. Smith is a persuasive advocate for cities. ‘In this dynamic, cosmopolitan space’, he writes in City: A Guidebook for the Urban Age, ‘lies the wellspring of our creativity as a species.’

Inspired concepts for developments to come

Alexander Eisenschmidt’s Visionary Cities Project imagines new iterations of architectural urbanism through innovative research collaborations, design workshops and exhibitions.

A city made of couscous, and other ingenious attractions

Through 22 March, the Tate Modern presents ‘Living Cities’, an illuminating exhibition that showcases artists working in and making art about cities across the world.

An early-20th-century reprobate in Berlin

In a trenchant essay in the Paris Review Daily, Dustin Illingworth uses the art of George Grosz to introduce Alfred Döblin and his 1929 novel Berlin Alexanderplatz—a fable with a weird vibrational power.

Bosco Verticale is a pair of residential towers in Milan designed by Stefano Boeri, inspired by Italo Calvino’s novel The Baron in the Trees and comprising 400 units festooned with a riot of plant life.

Illustrations by Audrey Helen Weber

‘Through this broad street, restless ever, ebbs and flows a human tide…’